Burkha – The Veil’ captivates audiences at Kolkata International Film Festival
The Assamese film Burkha – The Veil has emerged as a standout entry at the 30th Kolkata International Film Festival (KIFF), which will be held from December 4 to 11.
Directed by acclaimed filmmaker Hiren Bora, the film has been selected for the National Competition on Indian Languages section. Audiences and critics praised its gripping narrative and socially relevant themes, which explore the interplay between tradition and progress in rural India.
Hiren Bora, known for weaving compelling stories focusing on social responsibility, continues his tradition of impactful filmmaking with Burkha – The Veil. Bora’s career is marked by milestones, starting with his debut feature, Basundhara – The Earth, which won the Rajat Kamal Award for Best Assamese Feature Film in 2009. Over the years, his films have graced prestigious festivals, including the Karlovy Vary International Film Festival and multiple Indian showcases.
“Through Burkha – The Veil, I wanted to highlight a real story that resonates universally,” Bora said during a press conference at Nandan’s press corner. The film examines critical issues like inadequate medical and educational infrastructure in northeastern India.
Set against the picturesque yet challenging backdrop of a village on the banks of the Brahmaputra, Burkha – The Veil follows the journey of Reshma, an eighth-grade student determined to rise above societal and familial pressures. Faced with her father’s insistence on early marriage and the lecherous designs of a village elder, Reshma finds support from Hafeez, a compassionate teacher. Despite facing resistance and conspiracies, she emerges as a beacon of hope, breaking free from the shadows of ignorance to embrace education and empowerment.
The story, penned by Jitumoni Bora, reflects a poignant critique of entrenched social norms. Bora’s vision transcends religious connotations, presenting the burkha as a symbol of broader systemic oppression and a call for reform.
The film features a talented ensemble cast, including Rodali Bora as Reshma, Jatin Khanikar, and Durgashri Borah. Its compelling visuals are crafted by cinematographer Papu Deka, with music by Tarali Sarma and editing by Dipak Mandal. The production is helmed by Suravi Enterprise, and the screenplay is written by Naren Patgiri.
Other notable contributors include art director Pankaj Bezbaruah, chief assistant director Malay Roy, and VFX artist Abhijit Handique. This meticulous team effort has resulted in a cinematic piece that is both aesthetically striking and emotionally resonant.
Bora’s focus on socio-economic themes is evident throughout his oeuvre. Whether addressing environmental concerns in Basundhara, exploring anguish in Khobh, or delving into untold stories with Seema, his films challenge audiences to confront uncomfortable truths. With Burkha – The Veil, Bora not only critiques societal barriers but also underscores the potential for change through collective effort and education.
Bora’s upcoming projects, including the Rabha-language film Nasimay (Darling) and the adaptation of Monikuntala Bhattacharya’s novel Baahi – The Flute, continue to reflect his commitment to diversity and regional storytelling.
As Burkha – The Veil continues to garner acclaim at KIFF, it reaffirms Hiren Bora’s reputation as a filmmaker who bridges the gap between art and advocacy, offering audiences stories that inspire thought, discussion, and action.
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